Wow, it really has been a bit. I posted Gods, Prophets, or Slaves wayyy back in January 2023.
Here we are then. Enjoy “Your One, Short Life”
Song Notes (There’s a lot to say this time)
The main body of the tune is in F … something? I can’t remember F what. The only scale I know by heart is G (yeah, I’m looking at right at you post-solo Master Of Puppets). I stumbled on the main verse of this song while fucking around with the scales section of the All Guitar Chords site and it kinda just went from there. I just hit up that site, load up some different scales, play around with them, and piece together whatever sounds good.
This was one of those pieces that I worked on for an inordinate amount of time. I finished the composition and recorded the guitars in the mid summer of 2023; was still storing a friends axes, tube amp, and cab and used them to lay down the various heavy bits (the clean parts were played on my Ibanez).
Recording the drums was bittersweet because what you hear on this track is the very last recording of my kit before I sold it.
I laid the tracks down in about an hour, then put the kit up for sale on Kijiji. It was gone three days later.
I gave it all rough mix, had a listen was pleased and…
… then the tune just sat there. Yes, yes life was busy and all that, but the main issue was that I just could not come up with a melody for the verse sections. Everything I tried just plain sucked. Sometimes I’d listen to it on repeat in the car and nothing I tried clicked.
Late one night, at the beginning of October, I woke up with a start. Without even thinking about it, I picked up my phone, opened my mail, sent myself the following message:
… then put my phone down and went back to sleep.
As I talked about in my post from the middle of last week, I decided to rent a pro level mic and preamp and get the vocals done for some tunes I had lying around. This was the first one I tackled and I took my email to heart.
While it’s not a complete ripoff of Once In A Lifetime, you definitely hear the influence in there. As I moved deeper into the song, I stared jamming more words in there until the third verse is a near breathless block of words that pretty much sums up the overall subject. The choruses flowed naturally out of all this and took on a somewhat “marching” cadence with just a smattering of melody (and a whisper of harmonies).
The mixing didn’t take as long as normal; I’d been playing with the instrument mixes on and off over the past year and the vocals we not difficult at all. I attribute this to the SM7B/NV1 setup I employed this time around. After all my whining about “top of the line” and how you don’t really need it, I feel like I have to walk that back a little.
Yes, you can work with inexpensive, sometimes bargain basement equipment but there is a reason these expensive, top of the line options are so lauded: they do work as advertised. Now, top of the line equipment won’t compensate for a shitty performance. If anything it accentuates shitty performances. If you’re competent, however, top of the line equipment can make your recording effort a little bit easier.
Remember though, work with what you can afford. Rent what you can’t afford (if at all possible).
With all that being said, enjoy this new tune!
Note: The artwork for this track is a photograph I took of a stray dog Manzanillo, Mexico in January 2019. Text effects were added via Affinity Photo.
NoteNote: The drums are 90% the recorded kit. I did have to blend in samples for the kick and snare as my playing is not what you’d call consistent. Recording this track is probably some of the best drumming I’d done at that point, but I still qualify as an amateur.
