Category: Music

My published music. No more, no less.

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Gods, Prophets, or Slaves – Lyrics

N. Toone - Gods, Prophets, or Slaves

Lyrics and Music by Nicholas Toone. ©2022.

You wave the barkeep down, order a stronger drink;
Two parts aversion, three parts apathy
The colours are dialed low and the communal lip sync
Is written on the social marquee

Where you talk of cowering at supposed beastliness with fleeting hope
As you torch your broken bridge
And hang the crown with its own rope
Then endlessly commiserate about how you can’t cope
The anger comes and goes in waves,
Our choice between gods, prophets, or slaves

The world was promised once, yet no one led the way
Out of childish infinity
It’s the empty space that you refused to fill
Far removed from sensibility

And your avoidance of the harsh realities on which you choke
Stare at your blackened bridge
An watch the crown swing on its rope
Live constantly indifferent, vagabond misanthrope
Vexation comes and goes in waves
Our choice between gods, prophets, or slaves

You think that no one can see
The petty crimes you believe will never amount to anything
You cry out “servile!” but what’s not controversial
Is the saboteur on its knees

Arms raised and begging absolution like the past was but a joke
You can’t just fix the ruined bridge or cut the crown down from its rope
You never seemed to comprehend how slippery was your slope
Cold reason finally crests the wave
We choose to live as gods and prophets…

… but not slaves

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Your One, Short Life

Wow, it really has been a bit. I posted Gods, Prophets, or Slaves wayyy back in January 2023.

Here we are then. Enjoy “Your One, Short Life”

Click here for lyrics.

Song Notes (There’s a lot to say this time)

The main body of the tune is in F … something? I can’t remember F what. The only scale I know by heart is G (yeah, I’m looking at right at you post-solo Master Of Puppets). I stumbled on the main verse of this song while fucking around with the scales section of the All Guitar Chords site and it kinda just went from there. I just hit up that site, load up some different scales, play around with them, and piece together whatever sounds good.

This was one of those pieces that I worked on for an inordinate amount of time. I finished the composition and recorded the guitars in the mid summer of 2023; was still storing a friends axes, tube amp, and cab and used them to lay down the various heavy bits (the clean parts were played on my Ibanez).

Recording the drums was bittersweet because what you hear on this track is the very last recording of my kit before I sold it.

I laid the tracks down in about an hour, then put the kit up for sale on Kijiji. It was gone three days later.

I gave it all rough mix, had a listen was pleased and…

… then the tune just sat there. Yes, yes life was busy and all that, but the main issue was that I just could not come up with a melody for the verse sections. Everything I tried just plain sucked. Sometimes I’d listen to it on repeat in the car and nothing I tried clicked.

Late one night, at the beginning of October, I woke up with a start. Without even thinking about it, I picked up my phone, opened my mail, sent myself the following message:

… then put my phone down and went back to sleep.

As I talked about in my post from the middle of last week, I decided to rent a pro level mic and preamp and get the vocals done for some tunes I had lying around. This was the first one I tackled and I took my email to heart.

While it’s not a complete ripoff of Once In A Lifetime, you definitely hear the influence in there. As I moved deeper into the song, I stared jamming more words in there until the third verse is a near breathless block of words that pretty much sums up the overall subject. The choruses flowed naturally out of all this and took on a somewhat “marching” cadence with just a smattering of melody (and a whisper of harmonies).

The mixing didn’t take as long as normal; I’d been playing with the instrument mixes on and off over the past year and the vocals we not difficult at all. I attribute this to the SM7B/NV1 setup I employed this time around. After all my whining about “top of the line” and how you don’t really need it, I feel like I have to walk that back a little.

Yes, you can work with inexpensive, sometimes bargain basement equipment but there is a reason these expensive, top of the line options are so lauded: they do work as advertised. Now, top of the line equipment won’t compensate for a shitty performance. If anything it accentuates shitty performances. If you’re competent, however, top of the line equipment can make your recording effort a little bit easier.

Remember though, work with what you can afford. Rent what you can’t afford (if at all possible).

With all that being said, enjoy this new tune!

Note: The artwork for this track is a photograph I took of a stray dog Manzanillo, Mexico in January 2019. Text effects were added via Affinity Photo.

NoteNote: The drums are 90% the recorded kit. I did have to blend in samples for the kick and snare as my playing is not what you’d call consistent. Recording this track is probably some of the best drumming I’d done at that point, but I still qualify as an amateur.

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Forthcoming

This is me most days: Oh I wanna do music! No, I’m gonna write! Actually, I think I’ll pick up a paint brush! You know what? Fuck it, I’m going to fire up a video game and lose myself for a few hours 1.

This is why I have a pile of half finished/not quite finished stuff lying around, I’m like a fucking ping pong ball.

Anyway, I recently got a bug up my ass to finish the three songs I have sitting around. The only thing they needed was vocals. I mean, I’m not going to die if I didn’t get them done but I just wanted to get them moving, y’know? Figured there was no time like the present. It’s always good to take care of something as soon as you get a bug up your ass about it.

My issue this time was pure ego. I did try adding vocals to one of these tracks at various times over the past couple of years using what equipment I had on hand, but was just never happy with the results. I tried my SM-57s, the SM58, the GLS-ES57’s, the Behringer C-1… all of these have served well in the past but now I just could not get them to do what I needed.  

After hmming and hawing over it, I decided to rent an SM7B and a Great River ME-NV1.

If you’re on the internet, you know what an SM7B is. All I have to say is “those big, microphones that all the podcasters use”. Yeah, you know.

The ME-NV1, for those who don’t know is a mic preamp that I’ve seen talked about in many a YouTube video (and audio recording forums) and the general consensus is that these two combined can make for a killer vocal sound, spoken or sung 2.

I’m never going to buy either of these items. I’ve no real need to have an SM7B on hand, let alone a top of the line preamp. Both are expensive (the NV itself will run you fourteen hundred bucks before tax) and both hold their value on the used market, so rental it is!

Heh, you know what? I got so into what I was doing that didn’t even take a pic of the mic/pre setup so instead here’s the rental receipt:

I set up everything when i got home (SM7B > ME-NV1 > Focusrite Scarlett > PC/MixBus 32c), did some quick tests and wow. The vocal sound I was getting surprised me. Like, really surprised me. I don’t know if I would call it major label studio quality, but it was far beyond anything I’d done in the past.

My main problem was that out of the three songs, only one of them had any semblance of lyrics; just very rough idea sloppily written down. The other two? Pffft. Nothing. Nadda. Jack fucking shit.

So here I was with a good mic, a good mic pre, three songs, no lyrics, and maybe two and a half days.

Fuck it.

I pulled out some blank paper, took a deep breath and started to write.

And goddammit, I did it.

I just steamrolled my way through it all, scribbling down words while the tracks played; scratching out mistakes and trying again. Testing out ideas in real time. There was one point where I got stuck and had a mild freak out. “There is no way I was going to pull this off, I said to myself. “It normally take me days to write a single verse”. This didn’t last long though and I managed to push through.

Here’s the pile of in progress sheets.

My pen started acting up at one point so I had to stop and figure that out.

With thanks, as always, to the unsung low subscriber hero’s of YouTube, I was able to fix my pen and move on until finally I had three full sets of lyrics written and the vocals recorded:

Now it’s on to mixing which I don’t anticipate taking too long as I’d been editing and playing with the mixes of all three songs over the past while.

So, sit tight and over the course of the next few weeks there’ll be three new tunes appearing both here and in Bandcamp.

1: Oh. My. God. The Witcher 3 is soooooo fucking good. I thought Cyberpunk 2077 was the best video game I’ve ever played but there’s something about The Witcher 3 that hits just right.

2: Yes, yes there is also the famous Neumann U 87, but the rental on those beasts are prohibitive. While the monthly rate for the SM7B was $46, the U 87 would cost $300 for the same time frame.

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This Just Sucks.

Steve Albini 1962 – 2024

While I’m not a fan of a good chunk of the bands he’s recorded, I admire them for what they were (and still are) and I greatly admired Albini’s outlook on recording and music in general. The Problem With Music is still one of the most important things you can read if you’re a musician of any kind.

(There’s also this gem on his studio’s website)

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AI And Music

Just read this Rolling Stone article about Suno, and wow.

I knew what I was getting into. All AI articles these days seem to follow the same template: People amazed/shocked at how real this AI generated thing is. Covering the backgrounds of the people who created the AI thing. Going over the difficulty getting AI to make this particular thing as opposed to that particular thing while in the end it’s all scraping large amounts of data to try and come up with something that could potentially be deemed original.

In short it’s just more techowanking over a recent AI breakthrough. As always, there is a lot of back patting and corporate-speak-rabble-babble about being creative and empowering the people and whatnot.

And it’s that bullshit that drives me nuts.

Continue reading “AI And Music”

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They Knew You Before You Were Famous – The Just Stop Messing With It Mix

Here is a song I titled: “They Knew You Before You Were Famous”

Click here for Lyrics (Yes! Lyrics!)

They Knew You Before They Were Famous

Song Notes

I’ve been working on this track for far, far too long. My problem is that I just can’t settle. I tweak and tweak and re-do and tweak some more. “If I just add this one more little bit…”

I need to learn to stop fucking with things and just get the songs done. Less is more, as they say.

So here it is. I finally just stopped where I was and decided to put it out there. Maybe there will be another mix at some point but, for now, it’s done.

This one was started on Windows and finished on Linux. I really tried to get the song going in Mixbus, but ended up making a righteous mess of it all. No matter, Reaper was  here to save the day. The final mix was done using Reaper Plugins (mostly ReaComp and ReaEq) and Room Reverb from ElephantDSP.com.

The big thing about this tune is that it has vocals. This is the first time I’ve written lyrics and actually sang anything (other than backing vocals) since early 2013. It took a while for the words to come, but once an idea formed, I put pen to paper and it all came together.

Now that this one is done, I’ll work to complete the next tune, which is only lacking finished lyrics and recorded vocals. I’ve promised myself that I’m not going to keep tweaking and just get it done. Hopefully I’m not lying to myself; especially since there are another thee songs in half finished states that need my attention.

For now, enjoy “They Knew You Before You Were Famous”